I write screenplays
I'll make yours better
I’m an award-winning screenwriter specialising in thrillers and elevated horror—stories built around sharp premises, tight mechanics and small casts in limited locations.No jargon, no false praise.
What I Do
I show you where a script goes muddy—where stakes blur, motivations weaken, logic slips, or a scene just doesn't land.But identifying the problem is the easy part; coverage and notes services do that much and stop.I go further: I tell you why it's happening and how to fix it, scene by scene if needed.Thrillers and elevated horror live or die on escalation and pressure. I look closely at pacing, rhythm, and how hard your story is actually pulling the reader forward—and where it isn't.If your script feels flat, slow or uneven, I tell you where the pressure is leaking and how to rebuild it.If your world runs on rules—a power system, a covenant, a countdown, a twist that has to recontextualize everything before it—I stress-test the mechanism itself: does it hold up on a second viewing, do the rules land without being explained, does the reveal earn its weight.I know how to turn a small cast and limited locations into pressure instead of limitation, because I write this kind of script myself.Most writers think their script is about plot—what happens next.But the thing that actually makes a story resonate is theme: the idea the plot exists to test.Scripts that "work" mechanically but still feel hollow are almost always missing this—or have three competing themes fighting each other.I find what your script is actually about, not just what happens in it, and tell you where the theme is thin, absent, or working against itself.All of it comes back to the same approach: honest and deadpan, no jargon, no flattery, no false praise—just what's working, what isn't, and how to make it stronger.If you want real improvement rather than validation, I can help.
About Me
I'm an award-winning screenwriter based in Brisbane, Australia.Knocking on doors, collecting trophies, and running on caffeine, ambition and hope.I come from an IT background, and I'm working to turn what started as a "hobby with hope" into a full-time career.I write thrillers, elevated horror and razor-sharp dark comedies—stories that push moral boundaries, satirise a world in hilarious decay, and rely on tight mechanics rather than scale.I started helping other writers because people kept asking me for the same thing: honest feedback without jargon, ego or false praise.I'm a working writer, not a career consultant.I understand how a script reads, where it breaks, and what stops it landing, because I've had to solve those problems in my own drafts first.If you want validation, this isn't the place.If you want improvement, it is.
Contact Me
Tell me what you're writing and what you need, and I'll tell you what it will cost.I don't have fixed prices—every script needs something different, and I only charge for the time and focus your project actually requires.My rate starts at $100 USD. That covers my initial read: a full pass where I tell you what's working, what isn't, and why. Where the tension is leaking, whether the internal logic holds up, whether the theme is landing or fighting itself.That's my direct read on your specific pages, not a coverage report—it's the same three things I work on, applied to your script.From there, if you want me to go deeper—actually rebuilding the pacing, reworking the mechanism, fixing the theme—we agree on hours at $100 USD per hour before I start. You always know what you're spending and what it's buying.This isn't broad feedback that lists problems and leaves you to solve them—it's targeted work on tension, pacing and internal logic, aimed at fixing what's not landing, not just flagging it.If you want tension, structure or a story that actually holds together, message me and we'll figure out what you're aiming for and what level of help gets you there.If you want validation, this won't be a fit.If you want honest improvement, get in touch.